The thriller, night and the musical power. Jonathan Coe gratifies us always of what is certainly a large part of his talent, his leg, at least the hook number of readers to his writing so special: the construction of his characters. It shapes as a person immersed in a world different characters in each novel, and so rooted in him. Gregory Dudden in "The House of Sleep" is a good example, better still with William that we find here.
William is a musician, pianist passionate top of his twenty-three spring has invested in London as he could, abandoning his campaign in the hope of belonging to a small rock band that pierce maybe someday. He lives with roommates in a young woman he knows very little and he meets one hour every three weeks at most. He lives there in the HLM London, away from even the subway, but he lives there to play. He plays the piano like others breathe, out of need. A young man who more and more mundane work in a store. His normal life is turned upside down when he is witness to a murder committed under his eyes by two dwarfs.
And it is this reversal that Jonathan Coe opens his story. His whole approach, built around the musical structure, will be a huge step backwards by William on itself to understand what led him here and bring up its final outcome. In this construction of the book is fairly common, except the following chapters the different movements of a piece.
I do not like it as much as "The House of Sleep", although he is very honorable to me and he held me awake late into the night. I have not found the constructive genius I expected from this author. This novel, thriller musical entertainment is still a good bill and writing slender, smooth, clean, always pleasant.
William is a musician, pianist passionate top of his twenty-three spring has invested in London as he could, abandoning his campaign in the hope of belonging to a small rock band that pierce maybe someday. He lives with roommates in a young woman he knows very little and he meets one hour every three weeks at most. He lives there in the HLM London, away from even the subway, but he lives there to play. He plays the piano like others breathe, out of need. A young man who more and more mundane work in a store. His normal life is turned upside down when he is witness to a murder committed under his eyes by two dwarfs.
And it is this reversal that Jonathan Coe opens his story. His whole approach, built around the musical structure, will be a huge step backwards by William on itself to understand what led him here and bring up its final outcome. In this construction of the book is fairly common, except the following chapters the different movements of a piece.
I do not like it as much as "The House of Sleep", although he is very honorable to me and he held me awake late into the night. I have not found the constructive genius I expected from this author. This novel, thriller musical entertainment is still a good bill and writing slender, smooth, clean, always pleasant.
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